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Baby I've Already Taken the Field So I Can't Tell You What I Got When I Don't Got

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Song past Jimmy McHugh and Dorothy Fields

"I Can't Give You lot Anything only Dearest, Baby"
Song by Jimmy McHugh and Dorothy Fields
Released 1928
Recorded 1928
Genre Jazz
Songwriter(s) Dorothy Fields
Composer(s) Jimmy McHugh
Producer(south) Jimmy McHugh

"I Can't Give You Annihilation but Love, Babe" is an American popular song and jazz standard past Jimmy McHugh (music) and Dorothy Fields (lyrics). The song was introduced by Adelaide Hall at Les Ambassadeurs Club in New York in January 1928 in Lew Leslie's Blackbird Revue, which opened on Broadway afterwards that year every bit the highly successful Blackbirds of 1928 (518 performances), wherein information technology was performed by Adelaide Hall, Aida Ward, and Willard McLean.

In the 100-nearly recorded songs from 1890 to 1954, "I Can't Requite Yous Anything Simply Love, Baby" (1928) is No. 24.[1]

Background [edit]

Jimmy McHugh and Dorothy Fields had written the score for a revue at Les Ambassadeurs Club on 57th Street, New York, which featured the vocalist Adelaide Hall. However, the producer Lew Leslie believed that they even so missed a 'smash' tune. The squad pondered for a while earlier finally playing Leslie "I Tin't Give You Anything but Love, Baby". This was the song Leslie had been looking for and he immediately included it in the revue.[two] 1 advertisement called information technology "the song success of the Nation."[3]

Blackbird Revue opened on January four, 1928, with Adelaide Hall singing "I Can't Give You Anything merely Beloved, Infant" solo. Afterward on, Fields and McHugh wrote a second half for the revue and Leslie expanded the product. With extra songs and extra performers added (including the vocalist Aida Ward), Leslie renamed the revue Blackbirds of 1928 and took the total production for a tryout in Atlantic City, New Jersey, where it appeared at Nixon'south Apollo Theatre. On May 9, 1928, Blackbirds of 1928 opened at the Liberty Theatre, Broadway.

The idea backside the song came during a stroll Fields and McHugh were taking one evening down Fifth Avenue; they saw a young couple window-shopping at Tiffany'south. McHugh and Fields understood that the couple could not afford to buy jewelry from Tiffany's, merely yet they drew closer to them. It was then they heard the man say, "Gee, honey I'd like to become you a sparkler like that, simply right at present, i can't requite you lot nothin' only love!" Hearing this, McHugh and Fields rushed to a nearby Steinway Tunnel, and within an hour they came up with "I Tin't Give You Annihilation just Beloved, Infant".[4]

Some controversy surrounds the song's authorship. Andy Razaf's biographer Harry Singer offers circumstantial evidence that suggests Fats Waller might take sold the melody to McHugh in 1926 and that the lyrics were by Andy Razaf.[5] Alternatively, Philip Furia has pointed out that Fields' verse is almost identical to the cease of the second verse of Lorenz Hart's and Richard Rodgers' song "Where's That Rainbow?" from Peggy-Ann, the 1926 musical comedy with book by Fields' brother Herbert and produced past their father Lew:[six]

Recorded versions [edit]

  • Louis Armstrong (recorded March v, 1929, released by Columbia with the flip side "Black and Bluish"[seven] and with the flip side "Mood Indigo");[7] also released by OKeh both with the flip side "No 1 Else but You". For other Louis Armstrong versions, including a 1943 film performance encounter Ricky Riccardi's treatment of the vocal. Armstrong had a history of performing this song at the Savoy and Royal[3] before he recorded it.
  • Gene Austin (recorded November 23, 1928, released past Victor as catalog number 21798, with the flip side "I Wonder if You lot Miss Me Tonight"[eight])
  • Rube Bloom (recorded August ii, 1928, released by OKeh as itemize number 41117, with the flip side "Considering My Baby Don't Hateful 'Mayhap' Now"
  • Rex Cole Quintet (recorded in 1942, released by Disc equally catalog number 2011, with the flip side "Pro-Heaven"[nine])
  • June Christy – Absurd Christy (2002)
  • Bing Crosby included the vocal in his anthology Some Fine Old Chestnuts (1954)
  • Marlene Dietrich (1965)
  • Doris Twenty-four hour period (1953 – not released equally a single just recorded for a radio program; eventually released in the album Doris Day Sings 22 Original Recordings past Hindsight in 1987)
  • Knuckles Ellington and his Orchestra (recorded October 30, 1928, released past Montgomery Ward as itemize number 4990, with the flip side "Memories of You"[ten])
  • Gay Ellis (pseudonym for Annette Hanshaw) & her Novelty Orchestra (vocal by Hanshaw, recorded July 24, 1928, released by Harmony every bit catalog number 706-H[11] and by Supertone as itemize number 1005P,[12] both with the flip side "I Must Have That Man"[11] [12])
  • Seger Ellis and his Orchestra (recorded June eight, 1928, released by OKeh as itemize number 41077, with the flip side "Don't Keep Me in the Dark, Bright Eyes"
  • Ella Fitzgerald (1957) recorded live on the Verve release "Ella at Zardi'south"
  • Judy Garland included the song in her anthology Judy In Love (1958). Garland also recorded a dissimilar version of the song on her alive album, Judy at Carnegie Hall (1961).
  • Benny Goodman and his Orchestra (recorded September 6, 1937, released by Victor every bit catalog number 25678, with the flip side "Carbohydrate Human foot Stomp"[13])
  • Benny Goodman Sextet (recorded December 18, 1940, released by Columbia as itemize number 36755, with the flip side "Fiesta in Blue"[14])
  • The Goofus 5 and their Orchestra (recorded June 27, 1928, released by OKeh as itemize number 41069, with the flip side "Ready for the River"
  • Mildred Grizelle (released by Supertone equally catalog number 9276, with the flip side "Just a Picayune Blue for You".[15])
  • Mildred Grizelle (released by Gennett Records in 1928 under the New Electrobeam (Black Label) itemize number 6646, with the flip side "Low Downwards" by Virginia Lee[sixteen])
  • Adelaide Hall accompanied past Fats Waller, HMV, August 28, 1938, London, recorded at Abbey Road Studios, London
  • Johnny Hamp'southward Kentucky Serenaders (vocal by H. White; recorded May 17, 1928, released by Victor every bit catalog number 21414A, with the flip side "Sweet Lorraine"[viii])
  • Billie Holiday (1936)
  • Hollywood Trip the light fantastic Orchestra (recorded August 7, 1928, released past Challenge as catalog number 536,[17] also released by Banner as catalog number 7193; too released nether the proper noun Jewel Dance orchestra by Gem as catalog number,[19] all with the flip side "Raggedy Maggie"[17] [19]
  • The Hot Sardines on their eponymous album released in 2014[20]
  • Jonah Jones Septet (recorded September 4, 1946, released past Prestige as an extended-play disc, catalog number PR-7604[21] and by Swing Records in French republic equally catalog number 228, with the flip side "That's the Lick"[22])
  • Louis Hashemite kingdom of jordan (recorded March 1, 1951, released by Decca as itemize number 27620 with the flip side "Yous Volition Always Have a Friend"[23])
  • Diana Krall (released in 1999) on her album When I Look In Your Eyes.
  • Sam Lanin, with vocals provided by Irving Kaufman (May 1928)
  • Peggy Lee and Dave Barbour (released past Capitol as catalog numbers 511 and 10118, both with the flip side "Why Don't You Practice Correct?"[24] [25])
  • Abe Lyman and his Californians (recorded Nov 26, 1928, released by Brunswick as catalog number 4136, with the flip side "Infant"[26]
  • Dean Martin (recorded January 28, 1957, released past Capitol as catalog number 3718 [78 rpm][27] and F-3718 [45 rpm],[28] with the flip side "I Never Had a Chance"[27] [28])
  • Glenn Miller and the Army Air Forces Grooming Command Orchestra recorded the vocal in 1944 with Peanuts Hucko on vocals, released as V-Disc No. 482A in August 1945
  • Mills Brothers (recorded December 22, 1932, released by Brunswick as catalog number 6519, with the flip side "Diga Diga Doo"[29])
  • Buddy Morrow (released by RCA Victor every bit itemize number xx–3947, with the flip side "Our Song of Love"[30])
  • Rose Spud (recorded December 1947, released past Mercury as catalog number 8111, with the flip side "Cecelia"[31])
  • Lee O'Daniel Hillbilly Boys (recorded June x, 1937, released by Vocalion equally catalog number 03753, with the flip side "Thanks, Mr. Moon"[32])
  • Oscar Peterson (recorded May 21, 1953, released by Mercury equally catalog number 89062, with the flip side "Leap Is Here",[33] also released by Mercury subsidiary Clef under the aforementioned catalog number[34])
  • Ben Pollack's Pickarib Boys (recorded February 28, 1950, released by Discovery as catalog number 131[35])
  • Harry Richman (recorded August 28, 1928, released by Brunswick every bit catalog number 4035, with the flip side "Male monarch for a Day"[26])
  • Shilkret's Rhyth-Melodists (recorded September 22, 1928, released by Victor as catalog number 21688, with the flip side "I'thou Sorry, Emerge"[8])
  • Lee Sims (recorded November 1928, released past Brunswick as catalog number 4152A, with the flip side "Sonny Male child"[26])
  • Joe Sullivan (recorded February 9, 1940, released past Conqueror every bit catalog number 9503[36] and by Vocalion as catalog number 5496,[37] both with the flip side "Oh, Lady Be Good"[37])
  • Sonny Stitt (recorded May xviii, 1959, released past Verve in 1959 on "Sonny Stitt Sits in with the Oscar Peterson Trio")
  • Ted Straeter and his Orchestra (recorded March 24, 1942, released by Decca equally catalog number 18308B, with the flip side "What Is This Thing Chosen Love?"[38])
  • Ukulele Ike (Cliff Edwards) in New York, Dec. 7, 1928—Columbia 1471-D Columbia 5068
  • Ethel Waters with Knuckles Ellington (recorded December 22, 1932, released past Brunswick as catalog number 6517, with the flip side "Doin' the New Lowdown",[29] and as catalog number 6758, with the flip side "Porgy"[29])
  • Cootie Williams Rug Cutters (recorded October 26, 1937, released past Vocalion as itemize number 3890, with the flip side "Watching"[32])
  • Bob Wills and his Texas Playboys (recorded September 23, 1935, released by Columbiaas catalog number 37703[39] and by Vocalion as itemize number 03264,[40] both with the flip side "Never No More Blues"[39] [40])
  • Lester Young (recorded November 28, 1952, released by Norgran in 1954 on Lester Young with the Oscar Peterson Trio)
  • Regis Philbin – When You're Smiling (2004)
  • Lorna Luft – Songs My Mother Taught Me (2007)

Tony Bennett and Lady Gaga version [edit]

"I Can't Give You Anything but Love"
ICantGive-Single Cover.jpg
Single by Tony Bennett and Lady Gaga
from the album Cheek to Cheek
Released August 19, 2014
Studio Conway (Los Angeles)
Genre Jazz
Length iii:13
Label
  • Streamline
  • Columbia
  • Interscope
Songwriter(s)
  • Dorothy Fields
  • Jimmy McHugh
Producer(s) Dae Bennett
Tony Bennett singles chronology
"Annihilation Goes"
(2014) 		"I Can't Give You lot Anything but Love"
(2014) 		"I Get a Boot Out of You"
(2021)
Lady Gaga singles chronology
"Annihilation Goes"
(2014) 		"I Can't Requite You Anything but Love"
(2014) 		"Til It Happens to Y'all"
(2015)
Music video
"I Tin can't Give Y'all Anything simply Love" on YouTube

Composition and reception [edit]

The version of "I Can't Give You Anything but Love" on Cheek to Cheek has Tony Bennett and Lady Gaga alternating verses alongside piano, a brass section and drums.[41] She besides altered the lyrics to sing "Gee, I'd like to say you lot're looking slap-up, Tony", who later rejoins with the line "Diamond bracelets won't piece of work, doesn't sell, Gaga".[42] [43] Jeff Benjamin from Fuse was positive in his review, saying that "[t]here's a walking bassline, gospel organs and flippant horn blasts to back the pair's soulful crooning. And while we love listening to Gaga and Tony, we really get into the throwback vibe when the trumpet solo kicks in.[44] Trey Barrineau from USA Today complimented the duos vocals, maxim that the vocal "actually swings".[45]

Jesse David Fox from New York also gave a positive review, stating that "lot has been written nearly the artistic and commercial shortcomings of Gaga'southward terminal record, [Artpop], just I, for one, am glad about its failure – because anything that frees her up to record more than music with Tony Bennett is a win in my book. 'I Can't Give You Annihilation but Dear' is a swell case; Tony Bennett might be 88, simply information technology'due south Gaga who hasn't sounded this alive in years."[46] A writer for Side by side Mag declared that Gaga sounded "absolutely stellar" in the song, and found it to be a "vocal vehicle" for the creative person to "show off" her singing.[47] Debra Kamin from The Times of Israel praised Gaga's vocals on "I Tin't Give You Anything but Dearest", for her range and control.[48] MTV News critic Gil Kaufman described the track as "funky".[49] Alexa Camp from Slant Magazine gave a negative review, proverb that "for a singer who isn't even 30, Gaga'due south vox is shockingly rough-hewn".[50]

Release and commercial performance [edit]

"I Can't Requite You lot Annihilation but Beloved" was released equally the second single from Bennett's and Lady Gaga'southward first collaborative album Cheek to Cheek (2014) on August 19, 2014. Gaga announced the release on Twitter, accompanied by the single's encompass fine art.[51] On October six, two remixes of the vocal were made available for digital download. Remix by Italian record producer Giorgio Moroder was released exclusively to Idolator website. The chords of the original version was changed, with Moroder adding synths and a bassline, complementing the vocals of Bennett and Gaga.[52] Some other remix, was an Earmilk exclusive and was made past Austrian musician Parov Stelar. He changed the cover into a "boisterous jazz firm mix that provides a perfect compliment to the stars' seasoned vocals".[53] Additionally, Universal Music Group sent the unmarried to Italian radios on January 16, 2015.[54] After its release, "I Can't Give Yous Anything only Love" debuted at number-one on the Jazz Digital Songs nautical chart of Billboard, on the week ending September 6, 2014.[55] The single besides appeared on national charts of France and Italia at numbers 173 and 76 respectively.[56] [57]

Music video [edit]

An official music video for the song was released on August 26, 2014. The video was shot in the recording studio and the offset one-half showed Gaga in numerous outfits and wigs, while recording the song and roaming around. Bennett joins the studio sessions afterwards on, singing the vocal. The concluding chorus finds the two singers belting together, described as "bring together[ing] forces for a peculiar, withal potent blend of styles that transcends generations and genres".

Jon Blistein from Rolling Stone complimented the video, saying that it "proves [Gaga and Bennett] exude a unique, adorable brand of musical chemistry".[58] Maurice Bobb from MTV News noticed the "bare essence" of the duo in the video and added that Gaga appeared "overwhelmingly subdued", merely felt that "her playful energy still shines through every bit she preens and shimmies to [Bennett's] smooth crooning."[59] Nolan Feeney from Time that Gaga appeared normal in the video and added that "she's still fun to spotter even when she's simply hanging out in the vocal both (and dressed like a relatively normal human, no less)."[sixty] Katie Atkinson from Billboard declared that "If you lot love the adorable friendship between glam pop queen Lady Gaga and archetype crooner Tony Bennett, yous'll definitely desire to see the informal behind-the-scenes studio video of the pair for 'I Can't Requite Yous Anything only Dear'."[61] Idolator'south Mike Wass described the video in detail, calling it the "perfect antidote for Gaga'due south overwhelming, more-is-more than Artpop visuals... The swingin' standard is a nice fit for Gaga and Tony. Information technology allows them to riff off each other and ham it up (ever so slightly). Those shenanigans are captured in the studio-based video, which finds Mother Monster modeling a variety of wigs and smoking a cigar. Her suave companion looks a little bemused just he's clearly having a practiced fourth dimension."[62]

Charts [edit]

Release history [edit]

Use in the media [edit]

  • In the 1931 short picture show The Birthday Political party, the song is performed as a duet betwixt Mickey and Minnie Mouse.
  • The song is featured in the screwball one-act Bringing Up Infant (1938) in several scenes, since apparently the song is the just thing that placates the surly leopard named Baby, which quirky heiress Susan Vance (Katharine Hepburn) and befuddled paleontologist Dr. David Huxley (Cary Grant) have to bring to her aunt.
  • In Vii Sinners (1940), the song is performed by the character Bijou Blanche, portrayed by Marlene Dietrich.
  • Lena Horne performed this song in the flick Stormy Atmospheric condition (1943).
  • Judy Holliday sings this while playing cards in the picture show Built-in Yesterday (1950).
  • The vocal is sung by the strip-guild MC in John Cassavetes' film The Killing of a Chinese Bookie (1976).
  • The song is featured in the short animation Contract (1985).
  • The song is used in the film version of The Greenish Mile (1999).
  • The song is featured in the 2006 Tony Honour-winning Broadway play Jersey Boys (forth with the 2014 film accommodation of the same name).
  • The song is played during the episode "He's Our Y'all" of Lost.
  • The vocal is played during The Aviator (2004).
  • A version of the song sung past Doris Day is played during the opening credits of Married Life (2007).

References [edit]

  1. ^ Hope, Carolyn. "Barry's Hits of All Decades". hitsofalldecades.com . Retrieved July 25, 2018. This list was compiled past data from the book Joel Whitburn's Pop Memories 1890–1954 (1986) Published by Billboard Publications
  2. ^ Williams, Iain Cameron (2002). Underneath a Harlem Moon (i ed.). London: Continuum. pp. 129–139. ISBN0826458939.
  3. ^ a b Brothers, Thomas (2014). Louis Armstrong: Master of Modernism. New York, NY: Due west.W. Norton & Company. p. 329. ISBN978-0-393-06582-4.
  4. ^ Burton, Jack (May 27, 1950). "The Honor Roll of Popular Songwriters: No. 62 — Jimmy McHugh". Billboard. William H. Donaldson. p. 42. ISSN 0006-2510.
  5. ^ "I Can't Give Yous Anything merely Dear, Baby" at Jazz Standards
  6. ^ Furia, Philip (1990). The Poets of Tin can Pan Aisle: A History of America's Great Lyricists . Oxford Academy Printing. pp. 216–17. ISBN978-0195074734.
  7. ^ a b Columbia Records in the 38000 to 38499 series
  8. ^ a b c Victor Records in the 21500 to 21999 series
  9. ^ Disc Records discography
  10. ^ Montgomery Ward Records in the 4500 to 5041 series
  11. ^ a b Harmony Records in the 1001P to 2027P series
  12. ^ a b Supertone Records in the 1001P to 2027P serial
  13. ^ Victor Records in the 25500 to 25900 series
  14. ^ Columbia Records in the 36500 to 36999 serial
  15. ^ Supertone Records in the 9000 to 9498 series
  16. ^ "Supertone for Sears - numerical listing discography: 9000 - 9500".
  17. ^ a b Challenge Records in the 500 to 999 serial
  18. ^ a b Precious stone Records in the 5000 to 5499 serial
  19. ^ The Hot Sardines
  20. ^ Prestige Records discography, 1933 to 1948
  21. ^ Swing Records discography
  22. ^ Decca Records in the 27500 to 27999 series
  23. ^ Capitol Records in the 500 to 999 series
  24. ^ Capitol Records in the 10000 to 10210 series
  25. ^ a b c Brunswick Records in the 4000 to 4499 series
  26. ^ a b Dean Martin 78 rpm discography on the Dean Martin fan site
  27. ^ a b Dean Martin 45 rpm discography on the Dean Martin fan site
  28. ^ a b c Brunswick Records in the 6500 to 6999 series
  29. ^ RCA Victor Records in the 20-3500 to 20-3999 series
  30. ^ Mercury Records in the 8000 to 8310 series
  31. ^ a b Vocalion Records in the 3500 to 3999 series
  32. ^ Mercury Records in the 89000 to 89098 series
  33. ^ Clef catalog
  34. ^ Discovery Records discography
  35. ^ Conqueror Records in the 9500 to 9960 serial
  36. ^ a b Vocalion Records in the 500 to 5499 series
  37. ^ U.s.a. Decca Records in the 18000 to 18499 series
  38. ^ a b Columbia Records in the 37500 to 37999 series
  39. ^ a b Vocalion Records in the 3000 to 3499 serial
  40. ^ Reuter, Annie (August 19, 2014). "Listen: Tony Bennett and Lady Gaga Duet on 'I Can't Give You Anything But Love'". Radio.com. CBS Interactive. Archived from the original on September 28, 2015. Retrieved August 28, 2014.
  41. ^ Abound, Kory (Baronial 19, 2014). "Hear Lady Gaga and Tony Bennett's Latest 'Cheek to Cheek' Love Song". Rolling Stone . Retrieved August nineteen, 2014.
  42. ^ "Tony Bennett and Lady Gaga – Cheek to Cheek – Deluxe Edition". US: iTunes Store. Retrieved August 28, 2014.
  43. ^ Benjamin, Jeff (August 19, 2014). "Lady Gaga & Tony Bennett Cover 1920s Vocal "I Can't Requite You Anything Just Dear"". Fuse. Retrieved August 28, 2014.
  44. ^ Barrineau, Trey (August 26, 2014). "Lady Gaga, Tony Bennett unveil video for 'I Tin can't Give Yous Anything But Love'". USA Today . Retrieved August 28, 2014.
  45. ^ Fox, Jesse David (Baronial 20, 2014). "nine All-time New Songs of the Week". New York . Retrieved August 28, 2014.
  46. ^ "Lady Gaga & Tony Bennett, "I Can't Give You Annihilation But Love"". Next Magazine. August 27, 2014. Archived from the original on September 3, 2014. Retrieved Baronial 28, 2014.
  47. ^ Kamin, Debra (September 14, 2014). "Lady Gaga's color-drenched love fest is perfect boost later on summer rocket state of war". The Times of Israel . Retrieved September 14, 2014.
  48. ^ Kaufman, Gil (September sixteen, 2014). "Lady Gaga And Tony Bennett's 'Cheek To Cheek': A Track By Rails Breakdown". MTV News. Retrieved September xvi, 2014.
  49. ^ Campsite, Alexa (September 17, 2014). "Tony Bennett & Lady Gaga: Cheek to Cheek". Camber Magazine . Retrieved September 18, 2014.
  50. ^ a b Gibson, Megan (Baronial xix, 2014). "Lady Gaga Unveils Cover Art For Duet Album With Tony Bennett". Time . Retrieved August 19, 2014.
  51. ^ a b Daw, Robbie (October half-dozen, 2014). "Giorgio Moroder'southward Remix Of Tony Bennett & Lady Gaga'due south 'I Can't Give You lot Anything Only Love': Idolator Premiere". Idolator. Retrieved February 8, 2021.
  52. ^ a b Tewksbury, Colin (October 6, 2014). "Parov Stelar mixes Lady Gaga and Tony Bennett'south "I Can't Give You Anything But Love" [Premiere]". Earmilk. Retrieved February 8, 2021.
  53. ^ a b Aldi, Giorgia (Jan 14, 2015). "Tony Bennett & Lady Gaga - I Tin't Give Y'all Anything Merely Love (Radio Date: 16-01-2015)" (in Italian). EarOne. Retrieved August 24, 2020.
  54. ^ a b "Jazz Digital Songs : Sep 06, 2014". Billboard. Archived from the original on November 27, 2014. Retrieved August 24, 2020.
  55. ^ a b "Tony Bennett & Lady Gaga – I Tin can't Give You Anything But Love" (in French). Les classement single. Retrieved August thirty, 2014.
  56. ^ a b "Classifica settimanale WK 34". Federazione Industria Musicale Italiana. Retrieved August 24, 2020.
  57. ^ Blistein, John (Baronial 26, 2014). "See Lady Gaga and Tony Bennett's Chemistry at Work in the Duo'south New Video". Rolling Stone . Retrieved Baronial 28, 2014.
  58. ^ Bobb, Maurice (August 26, 2014). "Lady Gaga And Tony Bennett Strip Down For The 'I Tin can't Give You Annihilation Only Honey' Video". MTV News. Retrieved August 28, 2014.
  59. ^ Feeney, Nolan (Baronial 26, 2014). "Lady Gaga Acts Like a Normal Person in the Video for Her Tony Bennett Duet". Time . Retrieved Baronial 28, 2014.
  60. ^ Atkinson, Katie (Baronial 26, 2014). "Watch Lady Gaga & Tony Bennett Feeling the 'Love' in Studio Video". Billboard . Retrieved August 28, 2014.
  61. ^ Wass, Mike (August 26, 2014). "Lady Gaga & Tony Bennett Jam In Their Easygoing 'I Tin can't Give Y'all Anything Merely Dearest' Video: Watch". Idolator. Retrieved August 28, 2014.

External links [edit]

  • Sam Lanin & His Orchestra – I Can't Requite Y'all Anything Only Love on YouTube
  • Tony Bennett and Lady Gaga – I Can't Give You Anything but Honey (Audio) on YouTube
  • Tony Bennett and Lady Gaga – I Can't Give You lot Anything but Honey (Video) on YouTube

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Source: https://en.wikipedia.org/wiki/I_Can%27t_Give_You_Anything_but_Love,_Baby

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